Entertainment - Wikipedia. Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention.[1] Although people's attention is held by different things, because individuals have different preferences in entertainment, most forms are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures, were supported in royal courts, developed into sophisticated forms and over time became available to all citizens. The process has been accelerated in modern times by an entertainment industry that records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses a private entertainment from a now enormous array of pre- recorded products; to a banquet adapted for two; to any size or type of party, with appropriate music and dance; to performances intended for thousands; and even for a global audience. The experience of being entertained has come to be strongly associated with amusement, so that one common understanding of the idea is fun and laughter, although many entertainments have a serious purpose.

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This may be the case in the various forms of ceremony, celebration, religious festival, or satire for example. Watch Delivery Man Online. Hence, there is the possibility that what appears as entertainment may also be a means of achieving insight or intellectual growth. An important aspect of entertainment is the audience, which turns a private recreation or leisure activity into entertainment. The audience may have a passive role, as in the case of persons watching a play, opera, television show, or film; or the audience role may be active, as in the case of games, where the participant/audience roles may be routinely reversed.

Entertainment can be public or private, involving formal, scripted performance, as in the case of theatre or concerts; or unscripted and spontaneous, as in the case of children's games. Most forms of entertainment have persisted over many centuries, evolving due to changes in culture, technology, and fashion for example with stage magic. Films and video games, for example, although they use newer media, continue to tell stories, present drama, and play music. Festivals devoted to music, film, or dance allow audiences to be entertained over a number of consecutive days.

Some activities that were once considered entertaining, particularly public punishments, have been removed from the public arena. Others, such as fencing or archery, once necessary skills for some, have become serious sports and even professions for the participants, at the same time developing into entertainment with wider appeal for bigger audiences. In the same way, other necessary skills, such as cooking, have developed into performances among professionals, staged as global competitions and then broadcast for entertainment.

What entertainment is for one group or individual may be regarded as work by another. The familiar forms of entertainment have the capacity to cross over different media and have demonstrated a seemingly unlimited potential for creative remix. This has ensured the continuity and longevity of many themes, images, and structures. Banqueters playing kottabos and girl playing the aulos. Greece (c. 4. 20 B. C. E.). Banqueting and music have continued to be two important entertainments since ancient times. Psychology and philosophy[edit]Entertainment can be distinguished from other activities such as education and marketing even though they have learned how to use the appeal of entertainment to achieve their different goals.

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The importance and impact of entertainment is recognised by scholars[2][3] and its increasing sophistication has influenced practices in other fields such as museology.[4][5]Psychologists say the function of media entertainment is "the attainment of gratification".[6] No other results or measurable benefit are usually expected from it (except perhaps the final score in a sporting entertainment). This is in contrast to education (which is designed with the purpose of developing understanding or helping people to learn) and marketing (which aims to encourage people to purchase commercial products).

However, the distinctions become blurred when education seeks to be more "entertaining" and entertainment or marketing seek to be more "educational". Such mixtures are often known by the neologisms "edutainment" or "infotainment". The psychology of entertainment as well as of learning has been applied to all these fields.[7] Some education- entertainment is a serious attempt to combine the best features of the two.[8][9] Some people are entertained by others' pain or the idea of their unhappiness (schadenfreude). An entertainment might go beyond gratification and produce some insight in its audience. Entertainment may skillfully consider universal philosophical questions such as: "What is the meaning of life?"; "What does it mean to be human?"; "What is the right thing to do?"; or "How do I know what I know?". Questions such as these drive many narratives and dramas, whether they are presented in the form of a story, film, play, poem, book, dance, comic, or game.

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Dramatic examples include Shakespeare's influential play Hamlet, whose hero articulates these concerns in poetry; and films, such as The Matrix, which explores the nature of knowledge[1. Novels give great scope for investigating these themes while they entertain their readers.[1. An example of a creative work that considers philosophical questions so entertainingly that it has been presented in a very wide range of forms is The Hitchhiker's Guide to the Galaxy. Originally a radio comedy, this story became so popular that it has also appeared as a novel, film, television series, stage show, comic, audiobook, LP record, adventure game and online game, its ideas became popular references (see Phrases from The Hitchhiker's Guide to the Galaxy) and has been translated into many languages.[1. Its themes encompass the meaning of life, as well as "the ethics of entertainment, artificial intelligence, multiple worlds, God, and philosophical method".[1.

History[edit]. Telling stories around a campfire is a universal entertainment. Albert Bierstadt. The Campfire. Mosaic showing Roman entertainments that would have been offered at the gladiatorial games, from the 1st century. The "ancient craft of communicating events and experiences, using words, images, sounds and gestures" by telling a story[1. Stories are still told in the early forms, for example, around a fire while camping, or when listening to the stories of another culture as a tourist.

The earliest storytelling sequences we possess, now of course, committed to writing, were undoubtedly originally a speaking from mouth to ear and their force as entertainment derived from the very same elements we today enjoy in films and novels."[1. Storytelling is an activity that has evolved and developed "toward variety".[1.

Many entertainments, including storytelling but especially music and drama, remain familiar but have developed into a wide variety of form to suit a very wide range of personal preferences and cultural expression. Many types are blended or supported by other forms.

For example, drama, stories and banqueting (or dining) are commonly enhanced by music; sport and games are incorporated into other activities to increase appeal. Some may have evolved from serious or necessary activities (such as running and jumping) into competition and then become entertainment. It is said, for example, that pole vaulting "may have originated in the Netherlands, where people used long poles to vault over wide canals rather than wear out their clogs walking miles to the nearest bridge.

Dressage At The National Featuring "Baroque Review"In addition to top- level competition, stunning dressage exhibition is also a part of Dressage at the National. One of the most enthralling sights for dressage enthusiasts, show jumping fans, and horse lovers of all kinds last year was “The Romance of the Carousel” – a quadrille of eight Friesian stallions. Produced by Shaana Pritchard and Frieze Frame Friesians, this year’s theme is "The Baroque Review,” which will showcase Lippizaners, Andalusians, Lusitanos, as well as Friesians. The pièce de résistance will be the all- black Friesian group called "The Stallions of Eventide" performing an intricate quadrille pattern in the dark of night with lights attached to their outlines, creating a dazzling effect ‘guaranteed to bring the house down’. Show Manager Klaus Fraessdorf and Show Secretary Mary Silcox are again heading up Dressage at the National, ensuring the two full- size competition rings run like clockwork. The prize list is available to download at www. Entries open on October 1 and close on October 2. Watch Once Were Warriors HDQ.

Scheduled to judge at the 2nd Annual Zada Enterprises, LLC Dressage at the National are Gary Rockwell (C), USA; Lorraine Stubbs (I) Canada; and Joan Humphrey (S), USA. General admission tickets for the 2nd Annual Zada Enterprises, LLC Dressage at the National are available at the gate – $1. Friday and Saturday, November 2. Sunday, November 3. Admission also includes access to the show grounds for all competitions in the 1. National Horse Show Outdoor Championships.

Reserved seats for The 1. National Horse Show Outdoor Championships are $2.

For advance tickets, visit www. Media and public relations contact: Phelps Wilkes and Associates – Mason Phelps or Beverly Lake Wilkes at info@phelpswilkes. Related Links. Horsesdaily "On the Scene" at Dressage in Florida. Bethany Peslar Tops Prix St. Georges At Dressage At The 1. National Horse Show.