Teaching film frenchteacher. The Language Teacher Toolkit/b> by Steve Smith and Gianfranco Conti is now available from Amazon. Why film? Film, le septième art, has long held a high status within French culture. Watch Bridge Of Spies Megavideo on this page.

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It is worth incorporating in an A- level course for several reasons. First, it is one way of becoming more closely acquainted with French- speaking culture. Second, films are an excellent source of authentic listening material. Thirdly, students who are going on to study modern languages at university will feel better prepared for the study of film at that level. Finally, watching a film, although less intellectually daunting than reading a novel or play, can be a stimulating challenge. Which films? A number of factors should be kept in mind when selecting films or directors to watch.

Is the language of an appropriate level of challenge? Is the soundtrack clearly audible? Is the content appropriate for the age range of the students? Is the content of the film stimulating and worth studying? Are there support materials to help with the study of the film e. Is the teacher enthusiastic about the film?

Teaching film. The Language Teacher Toolkit by Steve Smith and Gianfranco Conti is now available from Amazon. Why film? Film, le septième art, has long held a high. The Little Paris Bookshop As Monsieur Perdu directed his steps onto Rue Montagnard, he wondered how Catherine must find this supremely quiet street. “Everybody was afraid. They were afraid because anybody could expose them, and that meant death to their families. And to us, of course.” – Rae Goldfarb. Home /Accueil] Index of Canadian Artists (Visual Arts)---L Répertoire des artistes canadiens (Arts visuels)---L. Par / By François Lareau. History Origin. The design of the Eiffel Tower was the product of Maurice Koechlin and Émile Nouguier, two senior engineers working for the Compagnie des. Read Empire's list of the 100 best movies from around the world. CengageNOW is an online teaching and learning resource that provides more control in less time and delivers better student outcomes - NOW!

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Is the film known to have worked successfully with other teachers and classes? Does the film allow for enough discussion of characters, themes and techniques? Here are some examples of films and directors which have been successfully studied in recent years: Berri: Jean de Florette, Manon des sources, Germinal, Lucie Aubrac. Truffaut: Les 4. 00 coups, Jules et Jim, Le dernier métro, La nuit américaine. Barratier: Les choristes.

Malle: Au revoir les enfants. Jeunet: Le fabuleux destin d’Amélie Poulain, Un long dimanche de fiançailles. What`S The Matter With Kansas? Full Movie Part 1 on this page.

Kassovitz: La haine. Philibert: Etre et avoir.

Cantet: Entre les murs. Polanski: Le pianiste. Carné: Le jour se lève.

Clouzot: Les gages de la peur. Dahan: La vie en rose. Nakache/Toledano: Intouchables. How to teach the film(s)In preparation for study the teacher may wish to take detailed notes including timings, scene changes, soundtrack themes and which characters are on screen. This will be invaluable for the students later on, since, unlike with a book, they cannot instantly locate a scene from the film. I would advocate watching the film in its entirety with subtitles.

At A- level most students find a film without subtitles too difficult to follow, therefore enjoyment is lost. During the second watch in short sections there is a range of activities possible. Use still images as a basis for oral description and try to predict storyline. Show the first scene - what came before?

Video without sound or just listen with no visual. Tick boxes to check comprehension in target language while watching film. Play soundtrack & have a tick list for moods: joyeux/terrifiant/angoissant.

True/false comprehension tasks. Cut off final few frames for prediction. Re- ordering the plot for jigsaw reading.

Who said what? – match the characters and the quotations. Also, who could have said what? Open dialogues – imagine the other character (e. Rewrite a scene from the film – how else could it have started or ended? Perform or write an imaginary interview with the director.

Students do research on the director for a presentation or essay. Watch interviews with the director and actors from Youtube, Dailymotion or the INA archive. Do listening gap fill tasks on sections of dialogue. Do written gap fills on characters and themes. Write a film review. Find film reviews in French and produce worksheets with matching tasks. Watch Besouro Online Facebook.

Where relevant, students learn about the characteristics of the film school being studied (e. Students are provided with a cinema vocabulary glossary and explanation of film terms (e. Encourage students to buy their own copy and other films by the same director.

Preparing for assessment. At A- level assessment of film is an integral part of the examination. Candidates are given a choice of two essays, each of which requires an analytical and critical response of around 3. Students need plenty of practice for their written essays, so the teacher needs to instruct them on effective essay technique and how to play to the mark scheme. It is a good idea to do timed essays, either in class, or at home. Students are undaunted by watching films and positively enjoy the process as film is such a commonplace part of their cultural life.

The challenge for the teacher is to get them to watch critically, want to watch more French films and to enhance their future viewing of all films.